DRUKMETHODE
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DRUKVORM
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BE-INKTING EN
DRUK
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HANDMATIGE
TECHNIEK
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INDUSTRIELE
TECHNIEK
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OPMERKING
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HOUTSNEDE
(metaalsnedes, enz.)
de inkt op het verhoogde deel, de tekening is
ook in reliëf.
GEBRUIKTE MATERIALEN: hout, lino, metaal,
plastic,steen
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*in-inkten
d.m.v. een inktrol, alleen de verhoogde
delen
*drukvorm wordt tegen bedrukken oppervlak
gedrukt
*soort druk: zwart op wit
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houtsnedes,
xylografie,
linosnede, plasticsnede,
steen, gips, metaal
en stempels
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typografie
(drukken van letters)
line block
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*very slight
relief of the blacks on the verso side for
wood.
*clarity of typographical printing
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WHITE LINE
the ink is on relief areas the drawing is in the
intaglio areas
MATERIALS USED: wood (end grain), lino, metal,
plastic, stone
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*inking done
with a roller sparing the lower areas
*block pressed against printed surface
*impression: white on black
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woodengraving on
endgrain wood, linotype, engraving on stone,
plastic, metal, plaster, goffering, dotted
manner, punch engraving
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inversed line
block half tone
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*no relief
except for goffering
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INTAGLIO
the ink is in the intaglio areas the drawing is
also in intaglio
MATERIALS USED: metal
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*inking of the
intaglio areas done with a dabber followed by
wiping the plate.
*printed surface pressed onto the plate so that
it is pushed into the lines.
*impression: black on white
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aquatint
line engraving
etching, dry point
crayon manner
mezzotint
brush etching
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photogravure or
heliogravure stamping (with or without
ink)
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*the printing
provokes a kind of golfering of the paper (plate
mark, etc.)
* lines are slightly in relief
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CHEMICAL
METHOD
the ink catches only the areas that have been
drawn and prepared no reliefs
MATERIALS USED: stone, zinc,
aluminium
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*chemical
preparation of the printing element
*inking done with a roller
*printed surface pressed against printing
surface
*impression: black on white or white on
black
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lithography
zincography algraphy anastatic
impressions
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lithography
offset phototype
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*the pressure
exerted by the stone in lithography is slightly
visible
*lines have no relief
*difficult to recognize a mechanical
impression
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STENCIL
METHOD
the ink goes through only in the open areas
MATERIALS USED: silk, nylon, metal grids,
bristol, light metal
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*stopping up of
areas that are not drawn
*ink forced through the cloth or through the
stencil
*printed surface below the screen or stencil
*impression: black on white or white on
black
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serigraphy hand
made stencelling
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serigraphy
(manual, semi-mechanical, mechanical
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*impression has
no relief but ink may produce slight relief
*difficult to distnguish manual from mechanical
impressions
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SIMPLE MANUAL
TRANSFER
ink is applied directly with a brush
MATERIALS USED: glass, marble
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*only one step:
printed surface pressed onto inked
surface
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monotype
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*at times it can
be used to make as many as three impressions but
only the first will be intensely
inked
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PHOTOGRAPHY
light sensitive surface exposed with manual
negative of glass or plastic
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*manually made
negative by scratching an opaque
cliché
*photographic printing
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glass print
photograms
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photography
(non-manual negative)
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