A technical dictionary of
printmaking, André Béguin.
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"Printmaking dictionary"
Anastatic
(printing-)
Reproduction process
which copies a text that has already been printed with ink.
The verso or back of the original is wetted with a solution
of water and rubber to which some drops of sulfuric acid
have been added. The recta, or front side, is then inked.
The printer's ink used will only be caught in the places
where the original was inked. This system is above all used
as a transfer* system onto stone, wood, or metal. The
original is, however, lost in the process.
Senefelder used this process in a great number of tests when
perfecting his first lithographic technique (a kind of
relief engraving on stone). These tests were made in order
to transfer, in reverse, characters which he had previously
written backwards on a lithographic stone. Around 1776 after
"thousands of tests" he finally discovered the basic
techniques of chemical lithography whose originality
consisted in using the well know repulsion grease exerts on
water. It was thus thanks to research done on anastatic
transfers, inks with oil bases, and various other solutions
that lithography was invented. "I owe my discovery of
chemical lithography to these tests because the reprinting
of paper onto a stone depended, above all, on the greater or
lesser attraction of one substance to another."
It is by extension that photographic facsimilies*
(reprint of ancient or out of print books) have also been
called anastatic reprints.
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