Various products for Intaglio (etching)
Metal Polish. The ideal product for copper andzinc plates polishing. Rubbing with a cloth. Dimensions diam. 5,5 cm x 11cm (2.2 x 4.3") Content 175 ml Safety Sheet Brasso
Dimensions
diam. 5,5 cm x 11cm (2.2 x 4.3")
Content
175 ml
This is a detail of tarlatan. It is a grid structure of cotton threads. The big difference with cheesecloth is the glue (starch) that is used for tarlatan. The tissue is therefore much stiffer and harder. The ideal material to wipe intaglio plates. The absorbent capacity of the tarlatan is just right to wipe the ink from the surface, but the starch prevents the ink being pulled out of the grooves. Sometimes it is useful to remove some of the glue by letting the tarlatan soak in warm water for a while.
Detail of Cheesecloth. Also made of cotton, but practically without glue, so the structure is looser than tarlatan. The lack of adhesive material makes it much lighter and smoother. It can be used for wiping intaglio plates, even though tarlatan is better for that purpose. In addition to the use in the cheese making, among other things this material is used in the lithography, for the application of gum arabic on the stone.
diameter rol 15 cm
Cheesecloth is much more flexible and softer than tarlatan.Therefore, it comes in a box 15x15x20 cm
diameter roll 12 cm (5")
Dimensions can diam. 11 cm,height 12 cm diameter 4.3"height 4.7" Weight 600 grams 1.3 lbs Is being used in intaglio (aquatint) and lithography.The residue remaining after the distillation of turpentine, from the gum of southern pine trees (especially trees with longer leaves). Also known as colophonium.
Dimensions can
diam. 11 cm,height 12 cm
diameter 4.3"height 4.7"
Weight
600 grams
1.3 lbs
Etching; Used for making aquatints. Has a higher melting point than resin powder. The grain is finer than asphalt lumps (grains) and also finer than resin powder. When mixed with "white spirit", it creates bitumen. Without special provisions, it is hazardous to health.
Lithography; Used for detailed drawings; lightly rub the stone with asphalt powder, even before applying talcum powder. Be careful; asphalt powder is greasy.
Carbonnel harspoeder 500 gram in plastic zakHarspoeder voor aquatint. Het harspoeder dient voor dit doel fijn gemalen te zijn en de deeltjes moeten "droog" zijn, d.w.z. niet plakken.
candle cores in a cardboard box.50 candles cores, length 25 cmTurn a few cores in each other, light the cores and make the smoke blacken the etching ground. Drawing becomes easier, and more visible in the etching ground.
Akua carborundum gel comes in 236ml jar (8oz.)
The Akua Carborundum Gel for Platemaking is used to create collagraph printmaking plates.
This ready-to-use platemaking gel offers a reliable medium that delivers fine, sharp detail and a uniquely textured surface that yields rich, velvety areas of color.
Printmakers have been experimenting with methods for making carborundum prints for decades. Akua Carborundum Gel improves results by offering a formulation that is consistent and reliable. Carborundum Gel is performance-tested, so printmakers can rely on the consistency of this platemaking medium from start to finish. As a result, prints will be strong and vivid, each and every time.
There are numerous ways for using Akua™ Carborundum Gel for producing carborundum plates.
Three approaches include; Light Field; Dark Field; and Stencil Methods.
More information can be found on Youtube, and here:
Speedball Matte Medium is used for extending Speedball Acrylic Paint and minimizing gloss. It can be used as a substitute for gesso on canvas when a translucent ground is desired. This medium may be used as a top coat to create a "flat" finish. Great for collage, decoupage, scrapbooking, altered book-making and faux finishing.
Speedball Matte Medium can also be used for Carborundum printing. It is used to mix with Speedball Carborundum Gel. It creates tone values in a carborundum print.