Libros de artes graficas

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(ingles) Printmaking with photopolymer Plates, Dianne Longley

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029501
Peso: kg

A new, safe, versatile printmaking technique for artists and students."This book represents a real breakthrough in texts for art teachers and art learning. Written by a practising artist and teacher, the book outlines a printmaking technique which is both simple and safe for practitioners of all ages and experience."

Published in 1998, Dianne Longley,

Dimensions: 16cm x 24cm x 1cm.

112 pages.

(Ingles) Handbook of Non-Toxic Intaglio, Henrik Boegh, 2nd ed.

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029502
Peso: kg

This 2nd edition of the "Handbook of Non-Toxic Intaglio" can be read in its entirety and thus provide a survey of the subject, but it also serves as a reference book with easily found solutions to specific problems. All working processes in connection with the application and use of acrylic resists, photopolymer film, solar plates and etching have been thorougly updated described and illustrated.
As a supplement to the handbook itself there are four appendixes:

  1. The Transition to the Non-Toxic Studio.
  2. Scanning and Digital Imaging
  3. Intaglio Printing
  4. Working with Zinc Plates

118 pages, 21 x 21 cm, paperback

(Español) Manual de grabado en hueco no tóxico, Henrik Boegh

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029513
Peso: kg

In Spanish
Sinopsis
La motivación principal para el desarrollo de las técnicas y los métodos de trabajo que describen en este libro ha sido, por supuesto, la amenaza a la salud y al medio ambiente planteada por la tecnología del grabado en hueco convencional. Si las escuelas de arte y los estudios de grabado tuvieran que estar a la altura de las reglas y las regulaciones pertenecientes al entorno de trabajo de la industria gráfica, el coste del equipo necesario para la seguridad y ventilación sería demasiado para que una escuela a un estudio insividual le hiciera frente e, inevitablemente, habría que cerrar algunos. Además de eso, los químicos que todavia se utilizan estarían presentes en el estudio como factores de riesgos potenciales.
160 pages, 22 x22 cm

(Ingles) A Technical Dictionary of Printmaking, André Béguin

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029515
Peso: kg

Translation of "Dictionnaire technique de l'estampe" by Allen J. Grieco.
A thorough treatise of printmaking terms and techniques. Invaluable to any printmaker.
A masterwork that took André Béguin 18 years to complete. Until 2002 he had a shop in Paris selling printmaking supplies. (rue Danville). Many artists came to his shop to ask his advice, which he was always willing to give. When there were no clients in his shop he worked passionately on this dictionary or other books. This version has been translated, the original French version was written by hand by André Béguin and distributed in small numbers. The Polymetaal site shows a part of this dictionary on line.
This paperback book with 390 pages deals with most printmaking terms, in alphabetical order. Recent developments "non-toxic", acrylic etching grounds, etc. do not figure in this book. This book is the result of a very intensive research on printing, intaglio, serigraphy, typography and lithography.
390 pages, black and white, 21 x 30 cm (A4)

(frances) Dictionnaire technique de l'estampe, André Béguin

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029516
Peso: kg

(French)DICTIONNAIRE TECHNIQUE DE L'ESTAMPE

La rédaction du Dictionnaire technique du dessin a précédé celle du Dictionnaire technique de l'estampe, mais c'est cependant ce dernier qui a paru le premier, en 1975. Cette première édition en trois volumes, écrite à la main et reproduite par offset, fut vendue à plus de 8.000 exemplaires. Rapidement nommé "Le Béguin", ce dictionnaire fut dès sa parution considéré comme l'outil indispensable du graveur, du lithographe, du conservateur, de l'amateur... En 1998, paraissait une nouvelle édition en un seul volume 21 X 27 de 340 pages, en caractère Times, entièrement refondue, ayant profité de vingt ans d'expérience de l'auteur, comme praticien, fournisseur et enseignant. Cet ouvrage comporte plus de 1000 entrées, 44 pleines pages d'illustrations, de nombreux tableaux et une bibliographie de 200 ouvrages. On y trouve :
LES DÉFINITIONS : l'estampe, l'estampe originale, la gravure, la numérotation, les signatures et les monogrammes, la lettre...
LES TECHNIQUES : aquatinte, gravure sur bois de fil et de bout,

linogravure, burin, eau-forte, héliogravure, mezzotint, sucre, soufre, pointillé, manières, lithographie, phototypie, sérigraphie, monotype, cliché-verre, couleurs...
LES PROCÉDÉS : aciérage, bordage, vernissage, décapage, humidification des papiers, restauration, essuyage, polissage, cuissons...
LES FORMULES : des encres d'impression et de dessin, des vernis, des mordants, des produits divers...
LES OUTILS, MATÉRIAUX ET INSTRUMENTS : bois, métaux, burins, échoppes, onglettes, pointes, roulettes, berceaux, grattoirs, brunissoirs, machines, boîte à grain, tampons, rouleaux, barens, blanchets et langes, presses typographiques, lithographiques, à taille-douce, outillage et tables d'impression sérigraphiques...
LES PRODUITS: abrasifs, acides, alcalis, sels, huiles, gommes, résines, papiers, solvants, carborundum, sables...
LES TERMES DE MÉTIER: amoureux, bourriquet, crevé, épreuve, état, pose, écacher, interrasiles, sculpsit, formis, invenit, contre-épreuve, taille, coupe, beau-métier, béquet, barbe, adsorption, nielle, onglette...
L'HISTORIQUE de la gravure sur bois et sur métal, du papier, des presses, des encres, de la sérigraphie...
LA BIBLIOGRAPHIE: ouvrages généraux, aquatinte, héliogravure, gravure sur bois, linogravure, lithographie, offset, taille-douce, sérigraphie, imprimerie, typographie, papiers, encres, procédés photomécaniques, galvano, stéréo, histoire, critique, conservation, restauration, encadrement, etc.. 21x30x2cm 340 pages

(Holandes) Het complete handboek etsen en andere grafische technieken, Jordi Catafal, Clara Oliva

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029519
Peso: kg

El libro original es en Español.

Dit boek is de meest volledige uitgave over de etstechniek. Het bevat honderden illustraties van de meest representatieve werken met gedetailleerde beschrijvingen. Het vertelt de bijzonderheden en de ontwikkeling van elk techniekonderdeel zoals o.a. het snijwerk, het maken van reliëf en natuurlijk het drukken.
Dit boek is een meesterwerk, waarschijnlijk het beste boek over de grafische technieken in het Nederlands, sinds het boek "Grafische Technieken" van Fons van der Linden uit 1979.
"Het complete handboek etsen" behandelt niet alleen de etskunst, maar ook hoogdruk (houtsnede, linosnede, houtgravure) , lithografie (steendruk) en er wordt veel aandacht gegeven aan de materialen zoals papier en inkt.
De vertaler heeft zich qua titel van het boek een beetje laten leiden door de Spaanse term in de titel "Grabado". (graveren). In het Nederlands wordt die term gereserveerd voor diepdruktechnieken. In het Spaans is "Grabado" een verzamelterm voor alle grafische technieken, incl. lithografie en hoogdruk. Vandaar dat benadrukt dient te worden dat dit boek alle grafische technieken behandelt.
Dit boek is een zeldzaamheid en hoort thuis is de boekenkast van iedereen die de grafische technieken beoefent en waardeert.
Hardcover, gebonden boek, A4 formaat

Klik hier om een aantal pagina's uit dit boek te bekijken

(Inglès) Photogravure, Gary Krüger

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029524
Peso: kg
Haga clic en la imagen de arriba para ampliar

El fotograbado (en francés héliogravure) es un proceso para imprimir fotografías, que también se utiliza a veces para el grabado en huecograbado reproductivo. Es un proceso fotomecánico mediante el cual se granula una placa de cobre y luego se recubre con un tejido de gelatina sensible a la luz que se ha expuesto a una película positiva y luego se graba, lo que da como resultado un huecograbado de alta calidad, placa que puede reproducir tonos continuos detallados de una fotografía. El proceso fue importante en la fotografía del siglo XIX, pero en el siglo XX solo lo usaban algunos fotógrafos de bellas artes. A mediados de siglo estaba casi extinto, pero ha visto un renacimiento limitado.

(Engels) Stone Lithography, Paul Croft

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029700
Peso: kg

In this practical handbook, Paul Croft offers a comprehensive approach to the many aspects of stone lithography. Through simplified steps the information is presented in a logical and meaningfull manner. This lavishly illustrated guide is also teeming with examples of prints from an international group of artists, showing the beautiful work which is being produced around the world today.

Paul Croft is a well known British printmaker. He has trained both in the UK and at the prestigious Tamarind Institute in the USA. He has taught at several colleges including the faculty of Art and Design at the University of Ulster. He teaches full time at the University of Wales in Aberystwyth.

160 pages, 16 x 23 cm

(Ingles) Dictionary of Printmaking Terms, Rosemary Simmons

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029801
Peso: kg

Dictionary of Printaking Terms
This is an essential source for all those interested in printmaking - from teachers and students to gallery staff and museum curators. In it, the author includes:

  • invaluable descriptions of all printaking terms and equipment - from acid tints to xylography and book binding to zincography.
  • information on the techniques and materials which have arisen from new health and safety regulations.
  • foreign terms and chemical formulae
  • line drawings that illustrate the text beautifully.

Rosemary Simmons is a well-known printmaker and the retired founder and editor of Printmaking Today. She is an honory member of the Royal Society of Painter-Printmakers and of the Printmaker's Council. She has written widely on printmaking and is the series advisor of the Printmaking Handbooks.
130 pages, 16 x 23 cm

(Ingles) Printmaking for Beginners, Jane Stobart

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029802
Peso: kg

This book is a basic guide to a wide range of printmaking techniques. It covers the processes of monotype, relief, intaglio, collagraph, screenprinting and lithography, explaining basic methods and recommending tools, types of paper, equipment and materials necessary for each, as well as highlighted safe and sensible working practices. In this new, expanded edition, recent techniques such as printing with carborundum are also included.

This is a practical book, but it is also an inspirational one which should encourage a whole new group of budding printmakers.

Jane Stobart is a well-known printmaker. Her work has been exhibited internationally and appears in several prestigious collections. She teaches at Goldsmiths College.

130 pages, 16 x 23 cm

(ingles) Practical Printmaking, Colin Gale

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029803
Peso: kg

This book presents an overview of the core printmaking areas: intaglio, lithography, collagraph, monoprinting, relief printing and screenprinting. There are also sections on Health & Safety, Workshop and Studio Space, and Displaying and Storing Prints, as well as a comprehensive glossary and list of suppliers. Separate chapters covering digital printmaking and the use of photography in printmaking ensure that the book is up to date with contemporary practice. Each chapter rounds off with a small gallery section showcasing the work of contemporary printmakers working with the relevant techniques. In each instance, the cheapest and easiest methods for each technique is explained and wherever possible the author covers methods for making prints at home, without the need for expensive equipment and presses. The whole book is filled with step-by-step sequences and clear instructions. The result is an excellent guide for the beginner and useful reference for the intermediate printmaker on all the printmaking techniques and how to use them. Softcover, 160 pages, 28 x 22 cm

(Ingles) "Inks" para Steve Hoskins

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029813
Peso: kg

Inks have remained a fundamental aspect of the printing process for thousands of years. In this comprehensive and accessible guide, Steve Hoskins traces the development of inks from ancient China, through the Middle Ages and the industrial revolution, to the digital age. This book offers detailed guidance to the inks used for various processes from etching and relief-printing to lithography and screenprinting, and also includes a comprehensive list of suppliers and full bibliography.
By exploring the technical make-up and manufacturing processes of many different types of ink, this book offers practical information to all levels of printmakers, from the specialist to the amateur.
Steve Hoskins is Reader in Fine Print, and Director of the Centre for Fine Print Research at the University of West of England, Bristol. He took also the initiative for the first Printmaking Conference "Impact" in Bristol in 1999. He was also involved in developing the "Caligo inks", water washeable oil based printmaking inks.
130 pages, 16 x 23 cm

(Ingles) Monoprinting, Jackie Newell & Dee Whittington

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029815
Peso: kg

Monoprinting is a printmaking process in which a drawing or painting, executed on a flat, unworked printing plate or other surface, is transferred using pressure to a sheet of paper. A spontaneous and exciting process, the medium is also effective, convenient and does not necessarily require a press. Only one strong impression can be taken, hence the term monoprint.
In this book, Jackie Newell and Dee Whittington demonstrate how to push the bounderies of monoprinting with various techniques, showing the unique possibilites available and showcasing work by a variety of printmakers from around the world.
Both Jackie Newell and Dee Whittington are practising artists who met whilst studying for a Master's Degree in Printmaking at Camberwell College of Arts, London.
Jackie Newell is a Fellow of the Royal Society of Painter-Printmakers. She studied art in the UK and New York. Her work has been regularly exhibited in Europe, India and the USA and is a lecturer in colleges of further and higher education.
Dee Whittington studied at major London art colleges including Central St. Martins. She was a founder/director of a visual arts consultancy and established her own studio Design Ink in the 1980's. Her work has been exhibited internationally and is held in many collections. She is currently working as a fine art lecturer in various London art colleges.
130 pages, 16 x 23 cm

(Ingles) Printmakers, the directory. Anne Desmet, Anthony Dyson

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029818
Peso: kg

Printmakers the directory, is the essential guide to over one hundred of the UK's leading artist-printmakers as well as significant artists from Argentina, Australia, Brazil, Canada, the Czech Republic, Iceland, India, Japan, the Netherlands, Portugal, Russia, Sweden and the USA. All are elected members of the historic Royal Society of Painter-Printmakers (RE); their highly individual work expertly utilize the diverse aesthetic qualities of printmaking to convey a wealth of equally diverse imagery.
Essential reading and reference for artists, art lovers, print collectors and curators alike, its full-colour reproductions of each artist's work will also provide the aspiring art student with a rich demonstration of the power and potential of printmaking today.
Anne Desmet is an established artist-printmaker whose work is represented by Hart Gallery, London. Since 1998 she has also been editor of "Printmaking Today" magazine.
Anthony Dyson has a PhD in printmaking history from the Courtauld Institute and, a master-printer for many years, has produced editions for leading artists and museums.
144 pages, 16 x 23 cm

(ingles) Collagraphs and Mixed-media printmaking, Brenda Hartill and Richard Clarke

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029826
Peso: kg

Collagraphs are prints made from collages, relief sculpture, carved, stripped or layered plates, or mixed media. Material can be added to prints at any stage, which means that this method of working allows for a much more fluid artistic approach than other types of printmaking. In this book, the authors describe a wide range of collagraph techniques, providing the user with practical help on the choice of materials and printing methods to achieve the best results. It is illustrated with images of the work of British and international collagraph artists, making it a practical and inspirational guide for both students and experienced printmakers. A large portion of the book is dedicated to information about a wide range of collagraph artists and their work.

128 pages, 23 x 16 cm