Polymetaal

C.I. Pigment Brown 7. History and application: Ancient mineral pigments from France, Italy, Germany and Cyprus. A range of brown shades. ‘Burnt” actually means roasted, which is how umber acquires its chestnut brown colour. Can be used with all binders. Umbers rubbed in oil dry very well.

C.I. Pigment Blue 15:1/ Pigment Green 7/ Pigment White 18/21
History and application: 20th century Derived from phthalocyanine, organic pigment with lime and barium sulphate.Can be used in all techniques.

C.I. Pigment Yellow 3/ Pigment White 18/21 History and application: Early 20th century. Derived from Hansa yellow, an azo pigment, lime andbarium sulphate. Can be used in all techniques except fresco.

C.I. Pigment Yellow 1/ Pigment White 18/21

History and application:
Early 20th century
Derived from barium sulphate and lime.
Can be used in all techniques except fresco.

C.I. Pigment Green 7/ Pigment Yellow 1. History and application: 20th century .Derived from Hansa yellow, phthalocyanate green, lime and barium sulphate. Can be used in all techniques except fresco. This pigment can give bleed through in oil paints and so cannot be built up in layers.

C.I. Natural Brown 8. History and application: 16th century .A derivative of brown coal. Found in many locations, mainly excavated near Kassel and Cologne. Difficult to rub up with oil. Slumps less with addition of 2% beeswax. Transparent brown colour.

C.I. Pigment Yellow 40. Cas. Nr.: 13782-01-9  EINECS-Nr: 237-435-2. History and application: Early 19th century.Discovered in 1830. Inorganic pigment derived from cobalt metal. Can be used in varnishing techniques, all paint systems and fresco. Not recommended in acrylics. Related to harm reduction this product it is not orderable outdoor Netherlands.

C.I. Pigment White 5. History and application: 19th century. An artificial mineral pigment. The first to be made, ever. Can be used in steam paint, matt paint, glue paint, emulsion paint end casein paint. Very good colouring intensity. Also sometimes called whitewash. Light fast and heat resistant.

C.I. Pigment Yellow 43. History and application: Ancient. Mineral pigments from France and Italy. Can be mixed universally. Available in a range of yellows and reds. Most red and yellow ochres are described with letters. These letter relate to the processing and colour of the ochres.

C.I. Pigment Red 122/ Pigment White 18  History and application:  20th century A guinacridone compound. Organic pigment. Can be used in all techniques.

(Koper (II) carbonaat) C.I. Pigment Blue 30. Cas. Nr.: 12069-69-1  EINECS-Nr: 235-113-6 History and application: Ancient .A copper-based mineral. Known to the Ancient Egyptians. Can be used with all binders. Related to harm reduction this product it is not orderable outdoor Netherlands

C.I. Pigment Violet 16 History and application: 18th century. Derived from manganese metal. An inorganic pigment. Can be used in all techniques. Especially suitable for oil paint thanks to excellent drying characteristics. Related to harm reduction this product it is not orderable outdoor Netherlands.