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Greenish umber 100 grams

020535
C.I. Pigment Brown 7. History and application: Ancient mineral pigments from France, Italy, Germany and Cyprus. A range of brown shades. ‘Burnt” actually means roasted, which is how umber acquires its chestnut brown colour. Can be used with all binders. Umbers rubbed in oil dry very well.
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Gamboge imitation 50 grams

020536

C.I. Pigment Yellow 184

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Chalkblue light 100 grams

020541
C.I. Pigment Blue 15:1/ Pigment Green 7/ Pigment White 18/21
Historie en toepassing: 20e eeuws. Afkomstig van Phatalocyanide, organisch pigment met krijt en bariumsulfaat. Toepasbaar voor alle technieken.
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Chalk yellow lemon 100 grams

020543
C.I. Pigment Yellow 3/ Pigment White 18/21 History and application: Early 20th century. Derived from Hansa yellow, an azo pigment, lime andbarium sulphate. Can be used in all techniques except fresco.
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Chalc yellow light 100 grams

020545
C.I. Pigment Yellow 1/ Pigment White 18/21

History and application:
Early 20th century
Derived from barium sulphate and lime.
Can be used in all techniques except fresco.
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Chalk green 100 grams

020546
C.I. Pigment Green 7/ Pigment Yellow 1. History and application: 20th century .Derived from Hansa yellow, phthalocyanate green, lime and barium sulphate. Can be used in all techniques except fresco. This pigment can give bleed through in oil paints and so cannot be built up in layers.
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carmine red 25 grams

020548
C.I. Natural Red 4:1

History and application:
16th century
Extracted from cochineal. The principal component extracted from the female cochineal insect is carminic acid.
A reddish purple, very intense colour.
Can be used in watercolour and oil paint.
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Cassel earth 100 grams

020549
C.I. Natural Brown 8. History and application: 16th century .A derivative of brown coal. Found in many locations, mainly excavated near Kassel and Cologne. Difficult to rub up with oil. Slumps less with addition of 2% beeswax. Transparent brown colour.
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Aureolin 50 grams

020551
C.I. Pigment Yellow 40. Cas. Nr.: 13782-01-9  EINECS-Nr: 237-435-2. History and application: Early 19th century.Discovered in 1830. Inorganic pigment derived from cobalt metal. Can be used in varnishing techniques, all paint systems and fresco. Not recommended in acrylics. Related to harm reduction this product it is not orderable outdoor Netherlands.
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Lithopone 100 grams

020557
C.I. Pigment White 5. History and application: 19th century. An artificial mineral pigment. The first to be made, ever. Can be used in steam paint, matt paint, glue paint, emulsion paint end casein paint. Very good colouring intensity. Also sometimes called whitewash. Light fast and heat resistant.
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Luyck's yellow ochre 100 grams

020558
C.I. Pigment Yellow 43. History and application: Ancient. Mineral pigments from France and Italy. Can be mixed universally. Available in a range of yellows and reds. Most red and yellow ochres are described with letters. These letter relate to the processing and colour of the ochres.
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Red ocker from Luyck 100 grams

020559
C.I. Pigment Red 102
History and application:
Ancient
Mineral pigments from France and Italy.
Can be mixed universally.
Available in a range of yellows and reds.
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Magenta 100 grams

020560
C.I. Pigment Red 122/ Pigment White 18  History and application:  20th century A guinacridone compound. Organic pigment. Can be used in all techniques.
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Malachite 50 grams

020562
(Koper (II) carbonaat) C.I. Pigment Blue 30. Cas. Nr.: 12069-69-1  EINECS-Nr: 235-113-6 History and application: Ancient .A copper-based mineral. Known to the Ancient Egyptians. Can be used with all binders. Related to harm reduction this product it is not orderable outdoor Netherlands
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Manganese violet 100 grams

020564
C.I. Pigment Violet 16 History and application: 18th century. Derived from manganese metal. An inorganic pigment. Can be used in all techniques. Especially suitable for oil paint thanks to excellent drying characteristics. Related to harm reduction this product it is not orderable outdoor Netherlands.
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